Gavin Adcock slams Beyonce’s Cowboy Carter

Country singer Gavin Adcock Not a fan Beyoncé‘ Cowboy Carter.
Adcock, 26, condemned Beyoncé for winning his own record on the Apple Music Country Country Album Chart with choice in his recent live performance.
“One of them is Beyoncé…you can tell her we’re coming for her ass,” he said.
He continued: “That’s not country music, there’s never country music, nor country music.”
Adcock doubled in a video shared via X on Monday, saying, “I’m going to keep cleaning this. When I was a kid, my mom exploded some Beyoncé in the car. I heard a lot of Beyoncé songs. Actually, I remember her half-time show in the Super Bowl half-time, which was the kicking of the day.”
“But I really don’t believe her album should be labeled as country music,” the singer continued. “It doesn’t sound like a country, doesn’t feel a country, and I think those who have devoted their whole life to this genre and lifestyle should have to compete or watch that album because she’s Beyoncé.”

Although Adcock may not be a fan Cowboy Carter Top in the United States Billboard 200 album rankings, becoming the first album for black women Billboard Country album chart.
Beyoncé, 43, also focused on black country artists (e.g. Shaboozey,,,,, Tanner Adell,,,,, Brittney Spencer,,,,, Tira Kennedy and Reyna Roberts On the album, and the country music pioneers commemorating black people Linda Martell.
The Houston-born singer has previously revealed her own country roots, which has influenced her music.
“I go to Houston rodeo every year. It’s this amazing multicultural experience, with each family having some members including great performances, Houston-style fried snickers and fried Turkey legs.” Harper’s Market In 2021.
At the time, Beyoncé also reviewed how black people’s contribution to the country and rodeo culture was often overlooked.
“One of my inspiration comes from the history of black American cowboys,” she said during her research for her Ivy Park rodeo-style clothing line.
The singer added: “Many of them were initially called bull hands, and they experienced great discrimination and were often forced to work with the worst, most temperamental horses. They mastered their talents and formed the soul track. These black rodeo performances are incredible and helped us regain our place in Western history and culture.”