Welcome A beautiful performanceObserver highlights a recently opened museum exhibition in a museum not in New York City, and places we know and like have attracted a lot of attention.
In 2016, my main income came from articles about fancy parties, which I will participate in and write in a humorous way. If the attendees of the parties would give me interesting quotes, the work became much easier and therefore I became good at generating these.
That autumn, I happened to meet Ivey at such a party and thought I had won the big prize. I could ask him what he thought about the US election, which is already stupid. I am full of confidence that everything he wants to say should be interesting, but he outperforms me. He responded with a strong Chinese accent and broken English, and he knew little about the election, which was impossible, and expressed vague support for “women”, who have been one of the world’s most famous politicians for decades. You can’t make pranks.
Not only does AI speak perfect English, but politics is his main focus, for anyone visiting “AI, Rebel: Art and Activity in AI Weewei,” it is a new survey by the Seattle Museum of Art, the largest exhibition artists have ever had in the United States. The show features over 130 works covering mediums of performance, photography, sculpture, video and installation, and its works began in the 1980s to today, with many of them making their international debuts, including The cover page of Mueller report, submitted to Attorney General William Barr on March 22, 2019 (2019), it recreates the theme in Lego’s theme.
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It can also be seen with his classic Sunflower Seeds (2010), which for me is his best work. These were originally commissioned in Tate Hyundai’s Turbo Hall, and the version was 100 million. From a distance they look like real sunflower seeds, but they are actually handmade from porcelain by hundreds of workers in a small jingdezhen workshop. These represent unprecedented developments in the field of sculpture and performance, no matter how you feel about the Chinese government. Another blow to this era is Animal/Twelve Zodiac Circle (Gold) (2010), it took away the twelve animals of the Chinese zodiac signs, making them face each other. Here, AI is a harsh pet owner, forcing confrontations between his livestock until they agree to get along.
As documented in the photos of this show, my encounter with AI in New York wasn’t that strange and I spent a lot of time here. Here he protested in Wigstock, at Tompkins Square Park, and placed in the work of Marcel Duchamp (1887-1968) of the Museum of Modern Art. His extensive self-portrait seems a bit narcissistic, but look Double bicycle (2003), Bicycle forever (2003), consisting of 42 of them or any sculptures he found. These call Duchamp Bicycle wheels (1951) and attempts to suggest that AI is some kind of super Duchamp, Times Forty-two. His self-monitoring is to double his life in lieu of the lives of other immigrants who fall into the wrong side of the government. There will only be more people in the future, and the show will be a powerful, timely introduction to anyone who is not familiar with AI work.
“AI, Rebel: Art and Actionism at Ai WeeweiThe Seattle Museum of Art will be on display at the Seattle Museum of Art until September 7, 2025.
